Amos brought me to a horrible place to love ⋅ The whole retrospective Amos in Wonderland is worth watching as…
Possible Approaches to Alice Guy
A House Divided (Alice Guy, 1913) A House Divided is an especially intelligent and charmingly humorous film by Alice Guy,…
SSIFF 68 – Festival Diary
ABOUT THE FILMS RIFKIN’S FESTIVAL (OS – Woody Allen) PATRIA (Official Selection – Aitor Gabilondo) CAMINHO LONGHE (Zinemira – Josu…
Disclosing Male Nonsense
La collectionneuse (Éric Rohmer, 1967) Many of the films of Éric Rohmer are marked by his distinguished sense for the…
Woman at the Wheel
Dah (Abbas Kiarostami, 2002) Diverging from the widely reflected directorial position and returning to the aesthetic considerations of documentaries, Kiarostami…
Martin Eden (Pietro Marcello, 2019)
The overwhelming fluidity captivated and empowered me from the first moment of the film. For me, seeing Martin Eden was…
Preservation and Substance (Psyché, Bódy Gábor, 1980)
In 1972, the oeuvre of Lónyay Erzsébet, an unknown Hungarian poetess from the XIX. century, was finally published under the…
The Motif of Return in Contemporary Hungarian Cinema
Part of my BA thesis translated in English ⋅ Certain tendencies and common motifs emerge within the stylistic and thematic…
Hungarian National Film Institute
Hungarian National Film Institute: Website (News) ⋅ Alapfilmek (Selection of the most significant Hungarian films) ⋅ Budapest Classics Film Marathon…
Három Hét Art Gallery – Reading Circle
I. Topic: Contemporary Avantgarde Cinema ⋅ Participants: Lichter Péter, Máté Bori, Margitházi Beja ⋅ I organized this event in collaboration…